News of the Kotlas Connection

• Our Second Annual Russian Day
• Stas Borodin Returns
• A New Documentary About Kotlas and the Gulag
• Voices of the Kennebec Update

By Gregor Smith

Two dozen paid registrants attended the Kotlas Connection's Second Annual Russian Day on a sultry September Saturday at Colby College. Co-sponsored by Colby's Russian Program, Russian Day is based upon Russian Sampler, our perennial, springtime program for middle schoolers, but is intended for adults.

During the morning, each participant selected two hour-long sessions from among eight offerings. The choices included painting Russian Easter eggs, watching a newly released documentary about the Gulags in Kotlas, conversing with Colby students who had studied in Russia, learning the Russian alphabet and a few Russian words, viewing Russian Orthodox icons and learning about the history of icon painting, and learning more about Kotlas itself. The presenters included past visitors to Kotlas, Colby students, a Russian exchange student at Messalonskee High School, and the day's principal organizer, Colby Russian professor Sheila McCarthy.

After a Russian lunch prepared by Colby's Dining Services, attendees heard presentations from Madison business consultant Michael Poland and Secretary of State Matthew Dunlap, both of whom had recently visited Russia. Poland spent 16 days in Russia in August, most of them in Petrozavodsk, a city 185 miles northeast of St. Petersburg. There he met business and governmental leaders to talk about waste disposal and recycling and investigate prospects for joint ventures between Maine and Russian businesses. He also talked to academics and representatives from two nonprofit organizations that aid handicapped adults and promote volunteerism. One can read a lightly edited version of his remarks here.

Dunlap spent two weeks in Russia in June and July, as part of a five-member Rule of Law delegation. Funded by the United States government, the Russian American Rule of Law Consortium currently supports exchanges between ten U.S. states, including Maine, and their respective sister regions in Russia. These exchanges are designed to strengthen legal institutions in both countries. Maine's Rule of Law Connection with Russia's Archangel Region dates to 1997.

Dunlap's delegation visited St. Petersburg, Arkhangelsk, Novodvinsk, and the Solovetsky Islands, just below the Arctic Circle in the White Sea. According to the introduction of Dunlap's online trip journal, the themes of this exchange were "municipal governance, parliamentary procedures, the work of non-profit organizations, and the role that government plays in supporting libraries and museums." One can read Dunlap's travelogue and see photographs of the trip on the Secretary of State's web site.

At Russian Day, the Kotlas Connection welcomed back an old friend. Globetrotting Kotlas artist Stas Borodin and his local host, Milton Christianson, stopped in for the luncheon and panel discussion.

A watercolor impressionist, Borodin is a native of Kotlas, who now lives in St. Petersburg. His works have appeared in over sixty exhibits in Europe and the United States.

Christianson and Borodin have known each other since Christianson attended a painting seminar in Kotlas in the summer of 2003 at the invitation of the Kotlas Connection and its Russian counterpart, the Waterville Committee. Christianson was one of a dozen participants in the seminar, which was organized by Borodin.

Since then, Borodin has visited Christianson in his Wellington home four times. As he likes to paint from nature, Borodin appreciates Maine scenery. During his latest, one-week stay, the duo ventured to Greenville, where Borodin painted pictures of seaplanes on Moosehead Lake. Borodin also executed a painting of Waterville's historic Two Cent Bridge and several still lifes and landscapes in Wellington, a sparsely populated township 18 miles north of Skowhegan.

Borodin has been to the U.S. six times in the past five years. He usually stays for two months, but could only stay for one month this time. Besides his week in Maine, he visited Boston, New York, and Atlanta to paint and exhibit his works. His next destination: China.

By Gregor Smith

The Kotlas Connection's Russian Day brought the New England premiere of a new documentary about Kotlas and the Gulag, the system of prisons, labor camps, and remote settlements that flourished under Stalin during the 1930's and '40's.

In Gulag 113, Toronto filmmaker Marcus Kolga and his 89-year-old grandfather, Eduard Kolga, retrace the latter's journey from his native Estonia to a logging camp near Kotlas and back again. The 46-minute film also includes archival footage and an interview with Washington Post columnist Anne Applebaum, whose latest book, Gulag: A History, won the Pulitzer Prize for Nonfiction in 2004.

The story begins in 1939, when Soviet forces invaded and annexed Estonia, a Baltic Sea republic that had broken away from the Russian Empire during the Bolshevik Revolution. Following the Nazi invasion of the Soviet Union two years later, the Soviet army drafted all Estonian men under the age of 50. At first, Eduard Kolga, then 25, wanted to hide in the forest, but Soviet authorities had threatened to torture and execute any evaders and their families. To spare his family that gruesome fate, he surrendered.

Kolga and the other 50,000 Estonian men were not sent to fight, however, but were loaded onto cattle cars to be taken to Gulag labor camps deep within Russia. After several stops, Kolga ended up at Camp 113, a logging camp in deep woods near Kotlas. There the underfed and under-clothed inmates lived in crude huts. Starvation, disease, hard labor, and extreme cold took their toll. During the horrific winter of 1941-1942, when the temperatures frequently dropped below 50° F, one man in three died.

The following spring, the Soviet army, decimated by casualties, transferred the surviving inmates to a Red Army training base and then to the front. Amidst the chaos of battle, Kolga was able to escape behind German lines in late December 1942. After a stay in a German field hospital, he returned to his family farm in the Spring of 1943. He, his wife, and twin sons born during his absence later fled first to Sweden and then to Canada.

The younger Kolga's motivation in making the film was twofold: to preserve his family's history and to raise awareness of the Gulag system and its victims. "My grandfather's story was, for one reason or another, obscured throughout my childhood and only came to light when I began asking about it while I was in University," he writes. "I encouraged him to chronicle his experience, if for nothing else, as a record for his own family." Ever since, the younger Kolga had wanted to make a documentary about his grandfather's travails, but it wasn't until he obtained a grant from Rogers Media, a Canadian television broadcaster, that he was able to act on his desire.

The elder Kolga was initially reluctant to make the film. To relive his saga would be a trial, both physically and mentally. He also feared that if he returned to the former Soviet Union, he could be arrested for having deserted the Soviet army six decades earlier!

When his grandson explained the historical importance of the endeavor, however, Eduard Kolga readily put aside his reservations. The younger Kolga continues:

There are very few films available which document the GULAG system, and even less — this is the first outside Estonia — that outline the Estonian/Baltic experience in the first Soviet occupation. Tragically, there are also few writers who have researched the subject outside the former Soviet Union and any Russian language material, aside from Solzhenitsyn and Medvedev, remain inaccessible to Westerners.

Of primary importance was the development of awareness of the gross human tragedy suffered by the over 30 million Russian, Baltic, Polish, Finnish, Caucasian, German and other Eastern-Central European nationals by the hand of Stalin. While the number is abstract, the tragedy is real and represents the greatest mass extermination in human history. Tragically, the subject remains but a footnote in western history textbooks, classrooms and lecture halls. One of the goals of this film was to help raise awareness of the subject, if only by a bit.

In July 2004, the two Kolgas and a film crew spent two weeks in Russia and Estonia shooting the documentary. They shot 31 hours of footage and, apart from an unfriendly guard outside a prison where Eduard Kolga had once been incarcerated, most of the people they encountered were enthusiastic about the project.

Eduard Kolga and Irina Dubrovina at a mass grave near Kotlas. Photo coutesy of Realword Pictures. Click the photo to enlarge it.

The Kotlas Connection had a small role in the making of the film. When the younger Kolga was doing research that spring, he found a description of Kotlas Gulag facilities on the Kotlas Connection's web site. He then wrote to the site's creator, Gregor Smith, who put him in touch with Irina Dubrovina, a founder of Sovest' ("Conscience"), a Kotlas organization dedicated to teaching Russians about the Gulag and seeking compensation for its victims. Dubrovina and several other local activists appear in the film.

Gulag 113 is Kolga's first documentary. Since its debut on Canadian television in November 2005, Gulag 113 has been shown at film festivals in Chicago and Washington. It aired on Swedish television in May 2006 and was shown in theaters in Estonia in May and June.

The Toronto filmmaker is now finishing his second film, a documentary about the January 1945 sinking of a German refugee ship, the Wilhelm Gustloff, by a Soviet submarine. According to Kolga, that sinking "ranks as the worst maritime disaster with nearly 10,000 dead. The story is told from the perspective of survivors / witnesses and ultimately seeks to examine the politics of memory as it pertains to Germans and the Nazi legacy."

Kolga is also the founder of graphic design firm, a freelance writer who devotes an "unhealthy amount of time" to Canadian politics, and father to two young sons. His hale grandfather is enjoying life in an Estonian retirement home in Toronto.

For more information about the film, visit its web site: www.realworldpictures.ca

Despite downpours, the Kotlas Connection realized a profit of nearly $350 from the sale of Russian food and ornaments at the seventh annual Voices of the Kennebec Festival. This is a considerable improvement over last year's $275 profit, when the weather was better, but the festival was held across the river to Fort Halifax, where parking was extremely limited.

At our table, we offered meat and meatless borscht, kielbasa, sauerkraut, Russian black bread, and raspberry squares, along with a variety of handmade Russian Christmas ornaments and knickknacks. The proceeds from their sale will support future exchanges with Kotlas.

Held annually on the first Saturday in June, the six-hour festival celebrates Greater Waterville's diverse ethnic heritage. Besides the Kotlas Connection, the Franco-American Heritage Society of Kennebec Valley, Beth Israel Congregation, St. Joseph Maronite Catholic Church (Lebanese), and REM (Italian) sold food. Red Hawk Medicine Drum, Boréal Tordu (Franco-American), the Dunlap Highland Band, and the Alan Shavarsh Bardezbanian Middle East Ensemble performed ethnic music.

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